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Lapocalypse Selon St. Jean
Artist:
Lind
Format: CD
New: NOT IN STOCK IN OUR STORE, BUT AVAILABLE TO ORDER $26.99
Wish
Formats and Editions
1. 1. Prologue
2. 2. La Lettre Aux Sept Eglises
3. 3. Vision Du Trone De Dieu
4. 4. Apparation Du Lion - Agneau Recevant Le Livre Aux Sept Sceaux
5. 5. Ouverture Du Livre Aux Sept Sceaux, A) Rupture Des Quatre Premiers Sceaux
6. 5. Ouverture Du Livre Aux Sept Sceaux, B) Rupture Du Cinquieme Sceaux
7. 5. Ouverture Du Livre Aux Sept Sceaux, C) Rupture Du Sixieme Sceaux
8. 5. Ouverture Du Livre Aux Sept Sceaux, D) Rupture Du Septieme Sceaux
9. 6. Visions Des Sept Trompettes, A) Les Anges Aux Trompettes Et L'ange L'encensoir
10. 6. Visions Des Sept Trompettes, B) Les Quatre Premierestrompettes
11. 6. Visions Des Sept Trompettes, C) Les Trois Dernieres Trompettes
12. 7. A) Ouverture Du Puits De L'abime
13. 7. B) Invasion Des Sauterelles
14. 7. C) Invasion Des 200.000.000 De Cavaliers
15. 7. D) Les Deux Temoins
16. 8. Vision De La Femme Et Du Dragon
17. 9. Combat Du Michel Et Du Dragon: Michel Et Ses Anges
18. 9. Combat Du Michel Et Du Dragon: A) La Bete De La Mer
19. 9. Combat Du Michel Et Du Dragon: B) La Bete De La Terre
20. 9. Combat Du Michel Et Du Dragon: C) Babylone La Courtisane
21. 9. Combat Du Michel Et Du Dragon: D) Le Millenium
22. 9. Combat Du Michel Et Du Dragon: E) Gog Et Magog
23. 9. Combat Du Michel Et Du Dragon: F) La Jerusalem Celeste
24. 10. Epilogue
More Info:
Convinced that the Revelation of Saint John was the response to questions that man has posed since the beginning of time, and that music has the power of evoking something and making it comprehensible even without using images, he turned to the overpowering subject of the Apocalypse, a subject that is difficult to grasp in human, artistic terms: visions of the end of time, of the goal and fulfilment of divine creation. Completed by the end of 1939, the premiere took place in occupied Paris on 11 June 1942 under the direction of Charles Munch. The passage in the text about the 144,000 children of Israel who were redeemed went unnoticed by the Nazi censors. The unusual orchestration of this fantastic oratorio includes a quartet of vocal soloists, a mixed chorus, organ, and two orchestras: the orchestra of heaven, which corresponds more or less to a large symphony orchestra, and the orchestra of hell, an ensemble of grotesque sound effects.
