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Formats and Editions
1. Concerto in E Major for Violin, String Orchestra and Continuo, Op. 8, No.1, RV 269, "La Primavera" (Spring): I. Allegro
2. Concerto in E Major for Violin, String Orchestra and Continuo, Op. 8, No.1, RV 269, "La Primavera" (Spring): II. Largo
3. Concerto in E Major for Violin, String Orchestra and Continuo, Op. 8, No.1, RV 269, "La Primavera" (Spring): III. Allegro
4. Concerto in G minor for Violin, String Orchestra and Continuo, Op. 8, No.2, RV 315, "L'estate" (Summer): I. Allegro Non Molto
5. Concerto in G minor for Violin, String Orchestra and Continuo, Op. 8, No.2, RV 315, "L'estate" (Summer): II. Adagio
6. Concerto in G minor for Violin, String Orchestra and Continuo, Op. 8, No.2, RV 315, "L'estate" (Summer): III. Presto
7. Concerto in F Major for Violin, String Orchestra and Continuo, Op. 8, No.3, RV 293, "L'autumno" (Autumn): I. Allegro
8. Concerto in F Major for Violin, String Orchestra and Continuo, Op. 8, No.3, RV 293, "L'autumno" (Autumn): II. Adagio Molto
9. Concerto in F Major for Violin, String Orchestra and Continuo, Op. 8, No.3, RV 293, "L'autumno" (Autumn): III. Allegro
10. Concerto in F minor for Violin, String Orchestra and Continuo, Op. 8, No.4, RV 297, "L'inverno" (Winter): I. Allegro Non Molto
11. Concerto in F minor for Violin, String Orchestra and Continuo, Op. 8, No.4, RV 297, "L'inverno" (Winter): II. Largo
12. Concerto in F minor for Violin, String Orchestra and Continuo, Op. 8, No.4, RV 297, "L'inverno" (Winter): III. Allegro
13. Sonata in G minor for Violin and Basso Continuo, "Devil's Trill Sonata"
Details:
SoftpakMore Info:
Grammy Award winning violinist Joshua Bell, who has enchanted audiences for two decades with his breathtaking playing and opulent tone, has recorded one of the most popular works in all of classical music Antonio Vivaldi's concertos THE FOUR SEASONS. This recording of THE FOUR SEASONS is coupled with another masterpiece of Baroque virtuosity, Giuseppe Tartinis the Devils Trill Sonata Known both for his riveting artistry and his daring choice of repertoire and collaborators, Bell is no less innovative in the way he reinvigorates Vivaldi's perennial favorite.
